BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//NYU Center for Disability Studies - ECPv6.18.0//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://disabilitystudies.nyu.edu
X-WR-CALDESC:Events for NYU Center for Disability Studies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250429T160000
DTEND;TZID=America/New_York:20250429T180000
DTSTAMP:20250530T184151Z
CREATED:20250318T175012Z
LAST-MODIFIED:20250530T184151Z
UID:4250-1745942400-1745949600@disabilitystudies.nyu.edu
SUMMARY:How to Be Disabled in a Pandemic Book Party
DESCRIPTION:Tuesday\, 29 April\, 4-6PM\nEspacio de Culturas at KJCC\n53 Washington Square South\n\nPlease join The Center for Disability Studies\, and book editors Mara Mills\, Harris Kornstein\, Faye Ginsburg\, and Rayna Rapp to celebrate the publication of How to Be Disabled in a Pandemic with refreshments and brief readings by some of the book’s authors. Books will be available for purchase. \nEvent is free and open to the public but requires registration.\nASL interpretation and KF94 masks will be provided. Please fill out the registration form or email msf440@nyu.edu by 04/09 if you have any access needs for this event. \n\nHow to Be Disabled in a Pandemic will be available for purchase at this event. It is also available for purchase from NYU Press (and wherever books are sold). We are also thrilled to note that NYU Press has simultaneously published an Open Access version of the book. \nSave 30% when you use code NYUAU30 at checkout on nyupress.org.
URL:https://disabilitystudies.nyu.edu/event/how-to-be-disabled-in-a-pandemic-book-launch-party/
LOCATION:King Juan Carlos Center Patio\, 53 Washington Square South
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T200000
DTEND;TZID=America/New_York:20250424T200000
DTSTAMP:20250530T184109Z
CREATED:20250313T185327Z
LAST-MODIFIED:20250530T184109Z
UID:4204-1745524800-1745524800@disabilitystudies.nyu.edu
SUMMARY:Anna RG: Air Change Per Hour
DESCRIPTION:Thursday\, April 24th at 8pm\, at the 22 Boerum Pl. theater\, ISSUE is proud to present AIR CHANGE PER HOUR\, the first commission from 2025 Artist-In-Residence Anna RG that interrogates relationships between sound\, space\, and accessibility in the context of airborne safety. Rooted in the ongoing realities of the pandemic\, this work challenges expectations of silence in performance spaces by embracing the presence of air purifiers—not just as functional access objects\, but as sonic\, conceptual and political agents within the room. \nthey said purifiers were loud\, meant audible sound. held silence over safety\, one sense above another. but here in the corner the purifier is humming furniture music in Bb. it is holding duets between the loud of the ache in my head and the song through the fog. it is setting a room\, shared resonant lung\, and in we move the air we borrow\, and here it filters what our bodies cannot. accompanist to a row of stories; like held their breath and wait for help\, like letters from a fever. lean in\, a rumble\, lean in\, what kind of future breeze\, out of the corner of your eye? \nRG\, who lives with long covid\, creates AIR CHANGE PER HOUR with support from access dramaturg Alison Kopit\, composer Alexa Dexa\, and engineer Daniel Neumann; and features guest performers Dave Ruder and Slic\, and writing by Jenna Bitar. They will be joined by a group of disabled/chronically ill artists performing “Scores for Sick Music.” The bed performers may or may not be present. \nACCESS INFORMATION: All access will be open\, meaning that the full audience experiences the access-rich environment of the show. Audio descriptions will be featured throughout\, and the full production will be open-captioned\, including sonic descriptions. The audience will also be asked to mask\, which is a part of the access infrastructure. The show contains themes of pandemics\, chronic illness\, isolation\, genocide\, and collective care\, and so we ask the audience to protect each other\, as well as the performers\, with this material act of solidarity.** The space is wheelchair accessible\, and has two gender-neutral accessible bathrooms. The show is seated\, and has a series of short rests/breaks. Guests are welcome to move and make sounds as needed\, throughout the evening. Air purifiers are present ensuring at least 6 air changes per hour in the space. Please contact us if you have further questions about access\, at sylver@issueprojectroom.org. We look forward to speaking with you! \nThe artist would like to thank: Molly Joyce\, Jay Afrisando\, and Andy Slater for guidance. Thank you to the members and borrowers of AIRNYC and who facilitate this community air purifier library that allowed this performance to be possible. \n**Thank you to Alison Kopit\, for the use of this access text\, created for “Dan Fishback is Alive and Unwell and Living in his Apartment” at the Public Theater. \nAnna RG works in composition\, sculpture and community organizing\, towards possibilities of Sick Music making and listening. For a decade\, she toured with her research-based ballad project\, Anna & Elizabeth\, their Smithsonian Folkways album called a “radical expansion of what folk songs are supposed to do” by The New Yorker. They performed at Carnegie Hall\, Big Ears Festival (where she was guest curator of traditional music)\, NPR’s Tiny Desk and many other venues not currently accessible to high risk artists. Anna has collaborated widely\, including with the Aizuri Quartet\, Lonnie Holley\, Glen Hansard\, Paul Wiancko\, Jim White\, and the dearly departed Susan Alcorn\, and has won blue ribbons in fiddle contests across Appalachia. They hold an MFA in sculpture from Bard College\, is a MacDowell Fellow\, and recently exhibited at Tulca Festival (Galway). She is a member of the collective Artists In Resistance NYC (AIRNYC) which operates a lending library of the community-owned air purifiers used in the show\, which are available for anyone to borrow\, for free. \nRespect your RSVP \nISSUE encourages a culture of respect around free arts programming–by honoring your RSVP\, you recognize ISSUE’s ongoing efforts to cultivate new work by emerging artists. If you can no longer attend this free event\, please contact sylver@issueprojectroom.org to let us know. Thank you for respecting the reservation. \n\n\n\n\nFounded in 2003\, ISSUE Project Room is a pioneering nonprofit performance center\, presenting projects by interdisciplinary artists that expand the boundaries of artistic practice and stimulate critical dialogue in the broader community. ISSUE serves as a leading cultural incubator\, facilitating the commission and premiere of innovative new works. \nAnna RG activates AIR CHANGE PER HOUR at ISSUE’s 22 Boerum Pl. theater\, where ongoing challenges with airflow persist due to the delay in Government of New York City managed renovations. \nFor visitors requiring accessible access for the performance\, ISSUE Project Room’s 22 Boerum Pl. theater is ADA accessible by lift and a ramp funded through the Accessibility Project of Downtown Brooklyn Partnership’s Downtown Revitalization Initiative Placemaking Fund. \nISSUE Project Room’s Artist-In-Residence program is made possible\, in part\, with support from the National Endowment for the Arts\, TD Charitable Foundation\, public funds from the New York City Department of Cultural Affairs in partnership with the City Council\, and with the support of the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. \nAdditional support for ISSUE Project Room’s 2025 season is provided by Metabolic Studio. \nAnna RG’s residency is also supported by NYU’s Center for Disability Studies.
URL:https://disabilitystudies.nyu.edu/event/anna-rg-air-change-per-hour/
LOCATION:Come Forever + Zoom\, Brooklyn
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/03/042425_anna-rg_ISSUE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T190000
DTEND;TZID=America/New_York:20250424T210000
DTSTAMP:20250530T184034Z
CREATED:20250422T040518Z
LAST-MODIFIED:20250530T184034Z
UID:4336-1745521200-1745528400@disabilitystudies.nyu.edu
SUMMARY:Intimacy Violation: a film screening and performance
DESCRIPTION:Intimacy Violation: screening of a work-in-progress film by Yining Chi\, followed by a participatory performance around audio description led by the artist and a discussion moderated by Meesh Sara Fradkin. \nThursday\, April 24\, 7-9pm @ Come Forever + Zoom \n“Intimacy Violation is a video essay that explores the intersections of disability\, kinship\, trust\, and authority through my mom\, Ning’s experience with a rare genetic disease in China. The film unfolds through different forms of intimacy: societal infrastructure violates my mom’s access intimacy; our opposing views on medicine and sexuality violate our political intimacy; my mom perceives her illness as violating our familial intimacy; technology violates our body intimacy; and\, by filming her vulnerability\, I may be violating our emotional intimacy…” — Yining Chi \n \nLight refreshments will be served after the discussion\, with mingling encouraged! \nEvent is free and open to the public but requires registration (either to attend on zoom or in person). Film and performance include open captions (Chinese-English bilingual) and audio description. Live captions will be provided for Zoom. Venue is wheelchair accessible with an accessible bathroom. Masks are required and provided as part of collective care–refreshments will be served outside in open air. \nCome Forever is located at 342 Hewes St\, Brooklyn\, off the Hewes JM and Broadway G trains. \n\n\n\n\n \nYining Chi (she/they) is an art-maker\, mover\, and researcher from Beijing\, China\, currently based in New York City. Chi’s medium shifts between exhibition\, movement\, moving image\, and accessibility. Her research focuses on the material body and its visual rhetorics within collective emotional states\, while their practice enacts how social structures inscribe mobilities and memories onto bodies. Chi is an MA candidate in Media\, Culture\, and Communication at New York University. Recent projects include the public performance art series Urban Stage (Guangzhou\, 2023) and the curatorial project The Intimate Revolt (Goethe-Institut China\, Beijing\, 2022). \n \nMeesh Sara Fradkin is a writer and artist working with sound\, text and media. She is a doctoral candidate in music in the interdisciplinary music technology track at McGill University and a visiting scholar at NYU’s Center for Disability Studies. \nThis event is sponsored by the NYU Center for Disability Studies and supported by A Blade of Grass. \n\n 
URL:https://disabilitystudies.nyu.edu/event/intimacyviolation/
LOCATION:Come Forever + Zoom\, Brooklyn
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/04/0416-Intimacy-Violation_banner-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250424T123000
DTEND;TZID=America/New_York:20250424T134500
DTSTAMP:20250530T183930Z
CREATED:20250409T145508Z
LAST-MODIFIED:20250530T183930Z
UID:4302-1745497800-1745502300@disabilitystudies.nyu.edu
SUMMARY:Book Launch: All This Safety Is Killing Us
DESCRIPTION:A virtual book launch with Ronica Mukerjee\, Onyinye Alheri\, Leroy Moore & Pato Hebert \nThursday\, Apr 24\, 2025 |12:30pm to 1:45pm \n\n\nAbout All This Safety Is Killing Us\n\n\nA multi-discipline\, multimedia guide to abolition through the lens of healthcare and medicine – featuring writings and artwork from 10+ incarcerated and post-detention activists \nExposing how marginalized communities are vilified by “carceral safety” systems\, educators and health justice advocates Carlos Martinez and Ronica Mukerjee call for a radical break with reformist strategies in favor of ones grounded in grassroots organizing and abolition. \n\n\nThis panel brings together author and contributors\, Ronica Mukerjee\, Onyinye Alheri\, Leroy Moore\, moderated by Pato Hebert. \n\nSpeaker Bios: \nOnyịnye Alheri (Ọ or she/her) is an artist\, curator and scholar engaging with international movements that promote peace\, harm-reduction and collective healing. Born in Èkó (so-called Lagos\, Nigeria)\, Onyịnye is blessed to have lived in many lands and currently splits time between Mozambique and Mexico. Ọ is engaged in research and knowledge sharing exploring topics including mental health\, abolition\, harm reduction and more. Ọ earned a bachelor’s of arts (BA) in International Studies & Philosophy from Macalester College and a master’s in social work (MSW) from the University of Maryland\, Baltimore. \nFrom Harvard to The Whitney Museum to Media Engagement for Disability in Johannesburg South Africa\, Leroy Moore has more than twenty years of activism\, journalism\, writing\, lecturing on race and disability. Black disabled poet\, activist and author of six books on Black Disabled issues from poetry to children books to his recent graphic novel\, Krip-HopVol. 1 that was published in 2019 by Poor Press. Black Disabled Art History 101 in 2017 published by Xochitl Justice Press. Leroy F. Moore Jr. is the Founder of the international collective called\, Krip-Hop Nation. Since the 1990s\, he has written the column “Illin-N-Chillin” for POOR Magazine and then as a founding member of the magazine’s school\, the Homefulness and Decolonize Academy. Moore was one of the founding members of National Black Disability Coalition and activist around police brutality against people with disabilities. Leroy has started and helped start organizations like Disability Advocates of Minorities Organization to Sins Invalid and was an early  thinker of Disability Justice to Krip-Hop Nation. His cultural work includes film documentary\, Where Is Hope\, Police Brutality Against People with Disabilities\, spoken-word CDs\, poetry books. \nRonica Mukerjee DNP\, MsA is a family and psychiatric mental health nurse practitioner as well as an acupuncturist. Dr. Mukerjee is currently an assistant professor at Columbia University and provides both hormonal care and psychiatric care for trans and gender diverse patients. Previously they livede and worked in Tijuana\, Mexico co-directing a refugee health organization she co-founded. Dr Mukerjee is passionate about border-police-prison abolition as well as racial\, economic and health care justice in LGBTQIA+\, refugees and migrant communities\, for people with substance use disorders\, and for people living with HIV. \nPato Hebert is a visual artist\, educator and cultural worker. He splits time between New York City\, and his creative studio in Los Angeles. Born in Idaho Falls\, Idaho\, Hebert spent his childhood there and in Eugene\, Oregon. He also lived in Panamá\, where is mother is from. He joined the Art & Public Policy Department at NYU in 2012. Prior to NYU\, he was a visiting assistant professor at Reed College and Scripps College. He also taught at Art Center College of Design and the University of California Irvine. \n\n 
URL:https://disabilitystudies.nyu.edu/event/book-launch-all-this-safety-is-killing-us/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250422T123000
DTEND;TZID=America/New_York:20250422T140000
DTSTAMP:20251010T164259Z
CREATED:20250225T204436Z
LAST-MODIFIED:20251010T164259Z
UID:4178-1745325000-1745330400@disabilitystudies.nyu.edu
SUMMARY:Remote Access Archive Launch Party
DESCRIPTION:The Remote Access Archive is a crowdsourced\, community-based and digital archive. It documents the ways that disabled people and communities have used technology for remote forms of participation\, both before and during the ongoing COVID-19 pandemic. This event includes an overview of remote access\, its promises\, and frictions\, as well as an in-depth exploration of how the Critical Design Lab created the archive. Moderated by Mara Mills. \nEvent is free and open to the public.\nLive captions will be provided.\nPlease email accessibility needs as they relate to this event to msf440@nyu.edu. If requesting ASL\, please write by 04/10. \n\nArt by Yo Yo Lin displayed on a zoom screen with a message in the chat about the sound drawing attention to the frictions of using technology for remote access.\n\nSpeakers: \nAimi Hamraie is a disabled designer and researcher based at Vanderbilt University\, and director of the Critical Design Lab. They are the author of Building Access: Universal Design and the Politics of Disability (2017). \nKelsie Acton (she/her) is neurodivergent access consultant and researcher with York St John University and the Royal Central School for Speech and Drama. She is a member of the Critical Design Lab\, the project manager for the Remote Access Archive\, and authored the plainer language versions of Alice Wong’s Year of the Tiger and Disability Intimacy. \n[sarah] Cavar is a PhD candidate in Cultural Studies and Science & Technology Studies at UC Davis\, where their critical-creative practices concern transMadness\, experimental poetics\, and generative nonsense. Their scholarship has appeared in or is forthcoming from Kairos\, Transgender Studies Quarterly\, Disability Studies Quarterly\, and elsewhere. Cavar’s debut novel\, Failure to Comply (2024)\, is available from featherproof books. They worked on the Remote Access Archive from 2022 – 2024. \nKatie Sullivan is a disabled student and writer and friend (et cetera). She is a research assistant in the Critical Design Lab and the Community Power Lab\, researching disability culture and critical health studies\, respectively. Sullivan will graduate from Vanderbilt University with an undergraduate degree in English and Medicine\, Health\, & Society in May 2025. Leisurely pursuits include feeling the sun on her face\, plunking out blog posts\, making comics\, and other things of the crafty-ilk. She worked on the Remote Access Archive 2023 – 2024. \nAvianna Miller (she/her/hers) is a chronically ill artist working primarily in photography and video. She is a strong proponent for accessibility in arts and cultural spaces\, physical and digital. She received her BA from Drew University in 2023\, where she majored in Studio Art and Media & Communications. Miller’s work has been included in shows at Drew University\, Circle Contemporary\, Dyer Arts Center\, Temple University\, and published by the Guggenheim Museum. She worked on the Remote Access Archive from 2023 – 2024. \nMartina Svyantek finished her individualized\, interdisciplinary PhD at Virginia Tech in 2021\, with a research focus on policy and procedure documents related to Disability at three U.S. institutions of higher education over a 25-year time frame. She has over five years of experience advocating for and promoting accessibility in real-time physical spaces as well as in digital and asynchronous situations. Martina served as the Assistive Technology Specialist in SDAC for three years before her transition into her role as the Strategic Initiatives and Accessible Technology Manager. She is now responsible for integrating research and best practices for the strategic leadership of departmental and institutional initiatives seeking the betterment of disability inclusion at the University of Virginia. She worked on the Remote Access Archive from 2023 – 2024. \n\nDarol Nance of the Deaf AIDs Information Centre poses with a TDD device.\n\nAlice Wong visits the White House via Beam Pro Telepresence Robot.\n\nCritical Design Lab is on Instagram and Bluesky.
URL:https://disabilitystudies.nyu.edu/event/remote-access-archive-launch-party/
LOCATION:Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250321T160000
DTEND;TZID=America/New_York:20250321T173000
DTSTAMP:20250530T183751Z
CREATED:20250304T174409Z
LAST-MODIFIED:20250530T183751Z
UID:4199-1742572800-1742578200@disabilitystudies.nyu.edu
SUMMARY:All Day All Night: A Conversation with Seth Kim-Cohen\, Jeffrey Yasuo Mansfield\, Park McArthur\, and Mara Mills
DESCRIPTION:Fri\, Mar 21\, 2025\, 4–5:30 pm\nHess Theater and Online\, via Zoom  \nThis program brings together artists and writers Seth Kim-Cohen\, Jeffrey Yasuo Mansfield\, Park McArthur\, and Mara Mills for a conversation on the occasion of Christine Sun Kim: All Day All Night. As contributors to the exhibition catalogue\, they will share their responses to Christine Sun Kim’s work and engage in a conversation about sign language aesthetics\, mediumship\, competing temporalities\, and Deaf methods. \nThe conversation will take place on Zoom and is available to livestream. \nIn New York City? Join us in-person at the Whitney to experience the program in a shared space where refreshments will be served and conversation is encouraged. In-person registration includes museum admission so that participants can view the exhibition Christine Sun Kim: All Day All Night before or after the program. \nThis program is presented in partnership with the Center for Disability Studies at NYU. \nASL interpretation and CART captioning will be provided. \n\nSpeakers: \nSeth Kim-Cohen is the author of Rock and Roll vs. Modern Life\, Against Ambience\, and In the Blink of an Ear. He is Professor of Art History\, Theory\, and Criticism at the School of the Art Institute of Chicago. \nJeffrey Yasuo Mansfield is a principal at MASS Design Group\, where he works on a portfolio of projects that uplift the lived experience and cultural memory of the Deaf and Disability communities. Jeffrey co-authored The Architecture of Health\, co-edited MASS Design Group’s first Monograph\, Justice is Beauty\, and is currently working on a project that explores how the architecture and landscapes of deafness shape social perceptions of deafness\, disability\, and community. \nPark McArthur is an artist whose exhibition Contact M is presented by Museum Abteiberg in Mönchengladbach\, Germany\, and mumok in Vienna through September 2025. \nMara Mills is Associate Professor and Ph.D. Director in the Department of Media\, Culture\, and Communication at New York University. She is cofounder and Director of the NYU Center for Disability Studies and coeditor of Crip Authorship: Disability as Method (NYU Press\, 2023) and How to be Disabled in a Pandemic (NYU Press\, 2025).
URL:https://disabilitystudies.nyu.edu/event/all-day-all-night-a-conversation-with-seth-kim-cohen-jeffrey-yasuo-mansfield-park-mcarthur-and-mara-mills/
LOCATION:Hess Theater and Online\, via Zoom
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/03/large_WMAA90182_TR5_8638-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250305T190000
DTEND;TZID=America/New_York:20250305T190000
DTSTAMP:20250530T183711Z
CREATED:20250220T221117Z
LAST-MODIFIED:20250530T183711Z
UID:4161-1741201200-1741201200@disabilitystudies.nyu.edu
SUMMARY:Film screening Spanish Cinema Now + 2025: Por donde pasa el silencio by Sandra Romero
DESCRIPTION:  \n  \nIn cooperation with Spain Culture\, and as part of the 2025 edition of Spanish Cinema Now +.  \nEspacio de Culturas at KJCC is thrilled to screen Por donde pasa el silencio\, nominated for Best New Director at the Goya Awards\, followed by a discussion with the film’s director\, Sandra Romero. \nFilm Screening: Por Donde Pasa el Silencio\nLocation: 53 Washington Square South\nDate: March 5 \nTime: 7PM \nPost-screening discussion about disability\, autonomy and care with filmmaker Sandra Romero and authors Rachel Adams (Columbia University) and Aurélie Vialette (Yale University). \nFilm in Spanish with English subtitles \nPost-film discussion in English\, with bi-lingual (Spanish-English discussion) \nCo-sponsors: Center for Disability Studies\, NYU Center for Media\, Culture and History \n 
URL:https://disabilitystudies.nyu.edu/event/film-screening-spanish-cinema-now-2025-por-donde-pasa-el-silencio-by-sandra-romero/
LOCATION:King Juan Carlos I of Spain Center\, 53 Washington Square S\, New York\, 10012\, United States
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/02/Screenshot-2025-02-24-at-4.58.00 PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250224T180000
DTEND;TZID=America/New_York:20250224T191500
DTSTAMP:20250530T183633Z
CREATED:20250124T185354Z
LAST-MODIFIED:20250530T183633Z
UID:4131-1740420000-1740424500@disabilitystudies.nyu.edu
SUMMARY:Mourning and Militancy: Bodily Autonomy and Networks of Care
DESCRIPTION:This panel takes its title from Douglas Crimp’s famous 1989 essay written at the height of the AIDS crisis\, which argued for the need for both militant activism and collective mourning. How might our current moment similarly demand an attention to collective grief and care\, organizing and activism?  This conversation brings together artists and activists\, Dean Spade\, Amitis Motevalli\, Yin Q\, and Viva Ruiz\, to consider the aesthetic and political strategies they find most necessary to combat the violent curtailing of bodily autonomy faced by queer/trans communities in particular. \n\n\n\n\nDean Spade has been working to build queer and trans liberation based in racial and economic justice for the past two decades. He’s the author of Normal Life: Administrative Violence\, Critical Trans Politics\, and the Limits of Law\, and Mutual Aid: Building Solidarity During This Crisis (and the Next) the director of the documentary “Pinkwashing Exposed: Seattle Fights Back!.” His latest book\, Love in a Fucked Up World: How to Build Relationships\, Hook Up and Raise Hell Together\, was published by Algonquin Press in January. \n\nAmitis Motevalli is an artist who explores the cultural resistance and survival of people living in poverty\, conflict\, catastrophe and/or war. Her experiences as a trans-national migrant and in community organizing are foundational in her work and research. Through many media\, digital\, analog\, static and live\, her work juxtaposes and contrasts iconography with iconoclasm\, memorials with monuments\, archive methodologies with canon. Her work intends to ask questions about archiving\, documentation and canonization of histories\, in particular related to violence. In this line of questioning she subverts populism by invoking the significance of a secular grassroots struggle. She is primarily based  in Los Angeles\, exhibiting art internationally as well as organizing to create an active and critical cultural discourse through information exchange\, either in art\, pedagogy with cultural producers and educators. \n\nYin Q (b.1974\, they/she) is a parent\, writer\, media producer\, curator and core organizer with Red Canary Song and founding member of Kink Out. They were honored by Spike Lee as an impact activist in 2019 in his tribute to Jackie Robinson. Yin’s writing has been published in BUST\, Apogee Journal (Columbia University)\, We Too\, Stories of Sex Work and Survival (The Feminist Press at CUNY\, 2021)\, and Afro Asia (Duke University Press\, 2008). Their media work includes “Mercy\, Mistress\,” an autobiographical pilot based on their experience as a dominatrix (starring Daniel K. Issac\, Poppy Liu; EP Margaret Cho)\, and Fly In Power\, a documentary for Red Canary Song and the short video\, Yang Song\, Fly in Power. Yin has brought sex worker art activations to Leslie Lohman Museum\, MoMA PS1 (Resident Artist\, 2020)\, Performance Space New York\, Brown University (AAPI Resident Artist\, 2023)\, and the Museum of Contemporary Art\, Los Angeles. \n\nViva Ruiz is a community/family/nightlife/sex work educated artist\, progeny of factory working Ecuadorian migrants born and raised in Jamaica\, Queens. They are proud to be the “daughter” of beloved Chloe Dzubilo\, punk rock trans femme activist. Ruiz’s original telenovelas and short films have screened internationally at art spaces including the Whitney Museum\, MoMa PS1 and many more. Ruiz has been building power and birthing pro-abortion aesthetics since 2015 with the #thankgodforabortion experiment. Viva is a 2022 Creative Capital grantee and 2022 Art Matters fellow. She is intentional about calling more beautiful worlds into being with and in service to the spirits that walk with them.
URL:https://disabilitystudies.nyu.edu/event/mourning-and-militancy-bodily-autonomy-and-networks-of-care/
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/01/unnamed-2.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250213T170000
DTEND;TZID=America/New_York:20250213T190000
DTSTAMP:20250530T183344Z
CREATED:20250117T082526Z
LAST-MODIFIED:20250530T183344Z
UID:4117-1739466000-1739473200@disabilitystudies.nyu.edu
SUMMARY:Stephen Dwoskin's Face of Our Fear (1992): Reflections on Disability in Film with Rachel Garfield
DESCRIPTION:Film Screening | Stephen Dwoskin’s Face of Our Fear (1992): Reflections on Disability in Film with Rachel Garfield\n  \nThe Jerry H. Labowitz Theatre for the Performing Arts 1 Washington Place NY 10003 \nStarting in the mid-1960s\, Stephen Dwoskin\, a UK-based experimental filmmaker who survived childhood poliomyelitis\, developed a distinct audio-visual style rooted in the specific conditions of (im-)mobility that permeate his cinematography. Simultaneously\, he was strongly preoccupied with the ways narrative cinema uses disability as a symbolic or iconic component. In his essay film Face of our Fear (1991)\, Dwoskin discusses the long history of disability mis-representation in Western art and media\, highlighting the shifting meaning of disability across centuries of evolving cultural traditions. \nThis event features a screening of Dwoskin’s Face of our Fear (52 minutes)\, followed by a discussion and Q&A with Professor Rachel Garfield—a film scholar\, artist\, and close friend and collaborator of the late Stephen Dwoskin. Open captions and CART provided; audio description available upon request. \nTo request an ASL interpreter\, please email o.tchepikova.treon@nyu.edu by January 29. For other access requests or questions\, please contact Gallatin’s Office of Special Events by emailing events.gallatin@nyu.edu\, also by January 29. \nThis event is programmed by Gallatin School of Individualized Study and is co-sponsored by the NYU Center for Disability Studies and the NYU Center for Media\, Culture and History. Please visit the event’s website for more information on how materials such as images and audio taken at the event may be reproduced.
URL:https://disabilitystudies.nyu.edu/event/stephen-dwoskins-face-of-our-fear-1992-reflections-on-disability-in-film-with-rachel-garfield/
LOCATION:The Jerry H. Labowitz Theatre for the Performing Arts\, NY\, 10003
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2025/01/Dwoskin.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250213T160000
DTEND;TZID=America/New_York:20250213T170000
DTSTAMP:20250211T205830Z
CREATED:20250211T205702Z
LAST-MODIFIED:20250211T205830Z
UID:4148-1739462400-1739466000@disabilitystudies.nyu.edu
SUMMARY:Agency of Access: Book Talk with Amanda Cachia
DESCRIPTION:Thursday\, February 13th\, 2025\n4:00PM-5:00PM\nWhitney Museum of American Art\nFloor 8 (Trustee Room) \nWhitney Access programs invite you to the launch of Amanda Cachia’s book\, The Agency of Access: Contemporary Disability Art and Institutional Critique. This event will celebrate the disabled and Deaf artists featured in the book\, including Christine Sun Kim\, and local New York-based artists Park McArthur\, Finnegan Shannon\, and Sughanda Gupta. The book examines how access can be a method to experience arts in a multisensory way. Crip author and art historian Amanda Cachia brings to light how our bodies take in environments in different ways and reveals how equity affects different bodies when access is not considered. Cachia will join a discussion with Whitney Associate Manager of Access Programs and Initiatives\, Bojana Coklyat. After the conversation\, there will be time for questions from the audience and to visit Christine Sun Kim’s exhibition\, All Day All Night. Cachia will also sign copies of the book\, which will be available for purchase. \nThis event will have ASL interpretation.
URL:https://disabilitystudies.nyu.edu/event/agency-of-access-book-talk-with-amanda-cachia/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250212T180000
DTEND;TZID=America/New_York:20250212T193000
DTSTAMP:20250106T225558Z
CREATED:20250106T191958Z
LAST-MODIFIED:20250106T225558Z
UID:4093-1739383200-1739388600@disabilitystudies.nyu.edu
SUMMARY:Celebrating Osiris 39: Disability and the History of Science
DESCRIPTION:Columbia University\nFayerweather Hall\, Room 513\n1180 Amsterdam Avenue New York\, NY 10027 \n  \nDisability has been a central—if unacknowledged—force in the history of science and the scientific disciplines. Across historical epistemology and laboratory research\, disability has been “good to think with”: an object of investigation made to yield generalizable truths. Yet disability is rarely imagined to be the source of expertise\, especially the kind of expertise that produces (rational\, neutral\, universal) scientific knowledge. \nJaipreet Virdi\, Mara Mills\, and Sarah F. Rose introduce a disability history of science in the current volume of Osiris\, which they co-edited. Across the volume\, contributors trace the disabling impacts of scientific theories and practices in the contexts of war\, factory labor\, insurance\, and colonialism; others excavate racial and settler ableism in the history of scientific facts\, protocols\, and collections; still others query the boundaries between scientific\, lay\, and disability expertise. Contending that disability alters method\, the volume’s authors bring new sources and interpretation techniques to the history of science\, overturn familiar narratives\, apply disability analyses to established terms and archives\, and discuss accessibility issues for disabled historians. \nIn this talk\, the three editors emphasize how disability history and the history of science need to be placed in conversation to foreground disability epistemologies\, disabled scientists\, and disability sciencing (engagement with scientific tools and processes). Looking beyond the paradigms of medicalization and industrialization\, the editors further propose a “scientific management model of disability” to account for the shaping of disabled lives and relations by the applied sciences\, from the ancient world to the present. \n\nEvent Speakers: \n\nMara Mills\, Associate Professor of Media\, Culture\, and Communication at New York University\nSarah F. Rose\, Associate Professor of History at the University of Texas at Arlington\nJaipreet Virdi\, Associate Professor of History at the University of Deleware\n\n\nThis event is part of the New York History of Science Lecture Series.\nCo-sponsored by the NYU Center for Disability Studies.
URL:https://disabilitystudies.nyu.edu/event/celebrating-osiris-39-disability-and-the-history-of-science/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250127T180000
DTEND;TZID=America/New_York:20250127T193000
DTSTAMP:20250530T183227Z
CREATED:20250110T213237Z
LAST-MODIFIED:20250530T183227Z
UID:4111-1738000800-1738006200@disabilitystudies.nyu.edu
SUMMARY:Introducing the MAD Studies Reader
DESCRIPTION:“Mad Studies” is an emerging interdisciplinary collaboration for transforming how we approach mental health and wellbeing. Mad studies centers the perspective of lived experience and it brings together activists\, artists\, concerned clinicians\, and critical disability scholars. It uses these differing perspectives to liberate us from rigid categories\, from single vision framings\, and from the sanist prejudice. Mad studies\, at its heart\, realigns who gets to contribute to the conversation\, research\, and practice around mental difference. \nThis panel\, moderated by Neil Gong\, brings together the three editors of the recently released Mad Studies Reader\, Jazmine Russell\, Alisha Ali\, and Bradley Lewis\, to celebrate and nurture this emergent work and the community it fosters. \nThis event is co-sponsored by NYU Center for Disability Studies. \nPlease note that zoom link will be sent 24 hours before the event. \n\nPanelists \nAlisha Ali: Alisha is an Associate Professor in the Department of Applied Psychology at New York University where she heads the Advocacy and Community-Based Trauma Studies (ACTS) Lab. Her research examines the mental health effects of various forms of oppression. \nJazmine Russell: Jazmine is the co-founder of the Institute for the Development of Human Arts\, a transformative mental health educator\, trauma survivor\, and host of Depth Work: A Holistic Mental Health Podcast. She is an interdisciplinary scholar of Mad Studies\, Critical Psychology\, and Neuroscience\, and a postgraduate student at the Berlin School of Mind and Brain. \nBradley Lewis: Brad is a psychotherapist/psychiatrist and a humanities professor at New York University. He is devoted to enriching everyday life and clinical practice through integration with the arts\, humanities\, and cultural/political/religious study. \nNeil Gong: Neil is an assistant professor of sociology at UC San Diego\, where he researches psychiatric services\, homelessness\, and how communities seek to maintain social order. His recent book\, Sons\, Daughters\, and Sidewalk Psychotics\, examines inequality in mental health care by comparing public safety net and elite private psychiatric programs.
URL:https://disabilitystudies.nyu.edu/event/introducing-the-mad-studies-reader/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241207T120000
DTEND;TZID=America/New_York:20241207T120000
DTSTAMP:20250530T185127Z
CREATED:20241111T035943Z
LAST-MODIFIED:20250530T185127Z
UID:3861-1733572800-1733572800@disabilitystudies.nyu.edu
SUMMARY:shall we go together? A Symposium on Care\, Equity\, and Access in the Arts
DESCRIPTION:How can arts organizations continue to support disabled artists? How can we continue building models that center care\, equity\, and access in residency programs and in institutions more broadly? Join us for a day-long\, hybrid symposium at BRIC reflecting upon these questions and activating the themes and artists of BRIC’s current exhibition\, to hold a we (co-sponsored by the Center for Disability Studies).\n \nThe symposium will feature virtual and in-person offerings\, including an artist and curator tour\, roundtable discussion\, participatory workshops\, and closing party. Schedule and participants announced soon!\n \nIn-person offerings are mask-required. Masks will be provided. All programs include CART. ASL interpretation upon request.\n  \n\n\nBRIC is committed to advancing accessibility for disabled artists\, audiences\, and staff members. We understand disability as a spectrum\, inclusive of neurodiversity\, chronic illness\, mental health disabilities\, and invisible disabilities\, as well as disabilities that affect mobility\, sight\, hearing\, and other senses. The main floor of BRIC House has an accessible entrance on Rockwell Place. There is an accessible\, all-gender bathroom on the main level. The Main Gallery and Stoop is accessible via wheelchair lift. The Ballroom and Project Room are on the main level and are wheelchair accessible. The event will have a sensory-friendly\, low-stim room. Portable FM assistive listening devices are available for programs on the Stoop and in the Ballroom upon request. For more information about accessibility at BRIC\, visit bricartsmedia.org/accessibility-bric.\n\n\n 
URL:https://disabilitystudies.nyu.edu/event/shallwegotogether/
LOCATION:25 Waverly Place rm 706
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241122T120000
DTEND;TZID=America/New_York:20241122T193000
DTSTAMP:20241121T143822Z
CREATED:20241113T171715Z
LAST-MODIFIED:20241121T143822Z
UID:3914-1732276800-1732303800@disabilitystudies.nyu.edu
SUMMARY:Alt-Guggenheim: Ramps
DESCRIPTION:Title: SRGM New York\nDescription: 1071 Fifth Avenue; Solomon R. Guggenheim Museum in New York\, New York; Architect Frank Lloyd Wright\nPhotographer: David Heald\nRights: © Solomon R. Guggenheim Foundation\, New York. All Rights Reserved. \n\nAlt-Guggenheim: Ramps\nGuggenheim Museum\nNovember 22\, 2024 (RSVPs and waitlist full)\nCART and Description services provided. \nAlt-Guggenheim: Ramps is an experimental symposium that brings together disability historians\, artists\, art critics\, architects\, designers\, and students to consider the ramification of ramps\, past and future\, in the iconic setting of the Guggenheim Museum. A collaboration between Academic Engagement at the Guggenheim and the NYU Center for Disability Studies\, this event is part of the Guggenheim’s Innovation Lab. \n\nProgram: \n12:00-1:00 pm: Arrival\, Registration\, COVID testing \nWright Restaurant (enter via ramp at 88th street) \n  \n1:15-1:45 pm: Welcome and Introduction \nChitra Ramalingam (Guggenheim Museum)\, “Museum Kinaesthetics” \nMara Mills (New York University)\, “Alt Histories of the Guggenheim Spiral” \n  \n1:45-3:00: “The inclined plane: ramps in history\, space\, time”   \nDavid Gissen (Parsons School of Design) \nDavid Serlin (University of California\, San Diego) \nSarah Hendren (Northeastern University) \n  \n3:00-3:45: Coffee/refreshments/snacks break (Wright room) \n  \n3:45-4:30: Simi Linton\, “The Guggenheim Affair” \n  \n4:30-5:30: “The Ramification of ‘Ramps’” \nConstantina Zavitsanos and Geelia Ronkina (artists)\, “Inclines\, Declines\, Reclines: A Selection of Recent Ramp-based Artworks” (by zoom) \nEmily Watlington (Art in America) \n  \n5:30-6:00: Transition to the Guggenheim ramps during closed hours \n  \n6:00-6:45: Alice Sheppard and Laurel Lawson (Kinetic Light): Performance on Ramp 6 \n  \n6:45-7:30: Reception in the Wright \n\n\n\n\n\n\n\n\n\n\nAcademic Engagement at the Guggenheim brings students and faculty together to learn from and connect with the Guggenheim’s staff\, collection\, and architecture. The Innovation Lab is an experiential learning program developed in collaboration with university and college partners\, to cultivate interdisciplinary\, collaborative\, publicly engaged\, and experimental pedagogy and practice. \nThe NYU Center for Disability Studies promotes disability scholarship\, artistry\, and activism at NYU and beyond through research and publishing\, a disability studies minor\, a public event series\, and collaborative programming with arts and other organizations internationally. \n  \nPresenter Bios:\nDavid Gissen: David Gissen is the author of several books on architecture history and theory — The Architecture of Disability: Buildings\, Cities and Landscapes Beyond Access (2023)\, Manhattan Atmospheres: Architecture\, the Interior Environment and Urban Crises (2014)\, and Subnature: Architecture’s Other Environments (2009). He also works with museums and cultural institutions on projects examining histories of architecture\, disability\, and design\, including commissioned work from MoMA\, The Walker Art Center\, The Victoria and Albert Museum\, and the 2016 and 2021 Venice Biennales. He is currently Professor of Architecture and Urban History at The New School and has held distinguished visiting appointments in the schools of architecture at Columbia University\, Yale\, MIT\, and the Academy of Fine Arts in Vienna. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSara Hendren: Sara Hendren is an artist\, design researcher\, writer\, professor at Northeastern University\, and the author of What Can A Body Do? How We Meet the Built World. Her art and design works have been exhibited on the White House lawn\, the Seoul Museum of Art\, the Vitra Museum\, and many others\, and her work is held in the permanent collections at MoMA\, the Victoria & Albert Museum\, and the Cooper Hewitt. \nGeorgina Kleege: Georgina Kleege is Professor Emerita of English at UC Berkeley where she taught classes in creative writing and disability studies. She now lives in New York City.  Her recent books include: Sight Unseen\, Blind Rage: Letters to Helen Keller\, and More than Meets the Eye: What Blindness Brings to Art. \nLaurel Lawson: Laurel Lawson is a choreographic collaborator\, dancer\, designer\, and engineer with Kinetic Light. She is the primary costume and makeup designer\, and designs the wheelchairs that Kinetic Light use in performance. She is also the product designer and lead for access and software initiatives such as Audimance\, the company’s app which revolutionizes audio description for non-visual audiences\, and the primary curriculum author and teacher for Access ALLways. Her work has been recognized with a 2019-20 Dance/USA Artist Fellowship\, made possible with funding from the Doris Duke Charitable Foundation\, and with a 2023 Creative Capital Award. \nSimi Linton: Simi Linton is the author of Claiming Disability: Knowledge and Identity\, My Body Politic\, and “Cultural Territories of Disability\,” and the subject of the documentary Invitation to Dance (Christian von Tippelskirch and Simi Linton). Her current and largest project to date is the book Disability Arts\, and accompanying 3-phase radically accessible publishing schema – a project led by a collective of disabled creatives and activists. \nMara Mills: Mara Mills is Associate Professor of Media\, Culture\, and Communication at New York University and Director of the NYU Center for Disability Studies\, a hub for disability arts programming. She is also a founding editorial board member of the journal Catalyst: Feminism\, Theory\, Technoscience. She is recently coeditor of Crip Authorship: Disability as Method (NYU Press\, 2023) and a special issue of the journal Osiris on “Disability and the History of Science” (University of Chicago Press\, 2024). Upcoming publications include the edited collection How to be Disabled in a Pandemic (NYU Press\, February 2025)\, funded by the National Science Foundation\, and a collaborative research project with anthropologist Michele Friedner\, funded by the National Endowment for the Humanities\, on “The Global Cochlear Implant.” \nChitra Ramalingam: Chitra Ramalingam is Director of Academic Engagement at the Guggenheim Museum\, where she oversees the museum’s programs for students and faculty in higher education\, including curricular partnerships with colleges and universities. An interdisciplinary educator\, scholar\, and curator with a PhD in History of Science from Harvard\, she has held positions at the Science Museum London and the University of Cambridge\, and was Associate Curator of Photography and Head of Prints and Drawings at the Yale Center for British Art. At Yale she also taught for nearly a decade in the History of Science and Medicine Program\, where she developed experimental pedagogies around university collections. She is co-editor of William Henry Fox Talbot: Beyond Photography (Yale University Press\, 2013) and author of numerous articles on the visual cultures of experimental science and the early history of photography. \nGeelia Ronkina: Geelia Ronkina is a writer and artist based in New York. Recent work has appeared in CURA.\, The Contemporary Journal\, the Poetry Project\, Storefront for Art and Architecture\, and Performance Space New York. They were a 2023–2024 Helena Rubinstein Critical Studies Fellow at the Whitney ISP and are a current PhD candidate in Performance Studies at New York University. \nDavid Serlin: David Serlin (pronouns: he/him) is Professor of Communication at UC San Diego\, where he is core faculty in Science Studies and affiliated faculty in Critical Gender Studies and Urban Studies. He is also a Fellow of the American Academy in Rome\, where he was awarded the Rome Prize in Architecture in 2021. David is the author or editor of numerous books including Replaceable You: Engineering the Body in Postwar America (University of Chicago Press\, 2004)\, Artificial Parts\, Practical Lives: Modern Histories of Prosthetics (co-editor; NYU Press\, 2002); and Keywords for Disability Studies (co-editor; NYU Press\, 2015). Today’s talk is excerpted from his forthcoming book Window Shopping with Helen Keller: Architecture and Disability in Modern Culture (University of Chicago Press\, 2025)\, which will be out in January. He is an editor at large for the journal Cabinet and a founding editor of the journal Catalyst: Feminism\, Theory\, Technoscience. Outside of academia\, David also writes books for children. He is the author of the New York Times-bestselling beginning reader Baby Monkey\, Private Eye (Scholastic\, 2018)\, which was illustrated by his husband\, Brian Selznick. \nAlice Sheppard: Alice Sheppard is the Founder and Artistic Director of Kinetic Light\, as well as a choreographer and dancer in the company. Sheppard has danced in projects with AXIS Dance Company\, Ballet Cymru\, GDance\, and Marc Brew Company in the United Kingdom and Full Radius Dance\, Marjani Forté\, MBDance\, Infinity Dance Theater\, and Steve Paxton in the United States. A Bessie award-winning choreographer\, Sheppard is also a sought-after speaker and has lectured on topics related to disability arts\, race and dance. Her writing has appeared in The New York Times\, in academic journals\, and the anthology Disability Visibility\, edited by Alice Wong.  She is a 2020 Disability Futures Fellow\, a joint initiative of the Andrew W. Mellon Foundation and Ford Foundation. \nEmily Watlington: Emily Watlington is a critic\, curator\, and senior editor at Art in America. She holds a master’s degree in the History\, Theory and Criticism of Architecture and Art from MIT\, and is the recipient of the Rabkin Prize for Arts Journalism (2024)\, C/O Berlin Theorist Award (2020)\, and the Vera List Writing Prize for Visual Arts (2018). \nConstantina Zavitsanos: Constantina Zavitsanos works in sculpture\, performance\, text\, and sound and deals in debt\, dependency\, and other shared resources. Zavitsanoshas exhibited at New Museum\, Brooklyn Museum\, Whitney Museum of American Art\, The Kitchen\, Artists Space\, Participant Inc.\, and Performance Space New York\, and at Arika UK\, Glasgow; If I Can’t Dance\, Amsterdam; and Galerie Max Mayer\, Düsseldorf. With Park McArthur\, they wrote “Other Forms of Conviviality” in the journal\, Women & Performance\, (Routledge\, 2013) and “The Guild of the Brave Poor Things” in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press\, 2017). They co-organize the cross-disability arts events\, I Wanna Be With You Everywhere\, and have received a Roy Lichtenstein Award in Visual Arts from the Foundation for Contemporary Arts and a Keith Haring Fellowship in Art and Activism from the Center for Curatorial Studies at Bard College.
URL:https://disabilitystudies.nyu.edu/event/alt-guggenheim-ramps/
LOCATION:The Guggenheim Museum\, 1071 5th Ave\, New York\, NY\, 10128\, United States
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/11/SRGM1992_ph140-For-WEB-use.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241114T123000
DTEND;TZID=America/New_York:20241114T140000
DTSTAMP:20241113T154706Z
CREATED:20241113T154622Z
LAST-MODIFIED:20241113T154706Z
UID:3868-1731587400-1731592800@disabilitystudies.nyu.edu
SUMMARY:Making Sense: Language\, Ethics\, and Understanding in Deaf Nepal
DESCRIPTION:Please join NYU Anthropology for their Fall 2024 Colloquia event with Mara Green\, co-sponsored by the Center for Disability Studies and the Center for Media\, Culture & History. \nRSVP to jr6329@nyu.edu by Wednesday\, November 13th.
URL:https://disabilitystudies.nyu.edu/event/msleauidn/
LOCATION:25 Waverly Place rm 706
ATTACH;FMTTYPE=application/pdf:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/11/MaraGreenColloquium.pdf
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241104T180000
DTEND;TZID=America/New_York:20241104T193000
DTSTAMP:20250530T185034Z
CREATED:20241008T130908Z
LAST-MODIFIED:20250530T185034Z
UID:3815-1730743200-1730748600@disabilitystudies.nyu.edu
SUMMARY:DISABILITY WORLDS: A reading and discussion with Faye Ginsburg\, Rayna Rapp and Mara Mills @ NYU Center for the Humanities
DESCRIPTION:Monday\, November 4th | 6:00 pm EST\nNYU Center for the Humanities\, Room 531\n20 Cooper Square\, NYC\nFor in-person or virtual attendance.\nZoom link will be sent to registrants the day of the event.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin us for a brief reading from the new book Disability Worlds (2024\, Duke University Press) with authors Faye Ginsburg and Rayna Rapp (NYU Anthropology) followed by a discussion with Mara Mills (NYU MCC and Director\, Center for Disability Studies). \nDisability Worlds chronicles authors Faye Ginsburg and Rayna Rapp’s immersion in NYC’s wide-ranging disability worlds as parents\, activists\, anthropologists\, and disability studies scholars. Disability consciousness\, they show\, emerges in everyday politics\, practices\, and frictions\, from genetic testing to the reimagining of kinship\, and the perils of what some call “the disability cliff”\, while highlighting the remarkable world-changing creativity of neurodiversity activists and disabled artists.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVisitor Access & Registration\nCART provided. If you have any accessibility needs or questions about our access plans\, please contact mk739@nyu.edu.Co-sponsored by: NYU Department of Anthropology\, Center for Disability Studies\, Center for Media\, Culture & History and the Institute of Public Knowledge
URL:https://disabilitystudies.nyu.edu/event/disabilityworldsfgrrmm/
LOCATION:20 Cooper Sq\, room 531\, 20 Cooper Square\, 7th Floor\, New York\, NY\, 10003\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T170000
DTEND;TZID=America/New_York:20241101T183000
DTSTAMP:20241030T142815Z
CREATED:20241030T142535Z
LAST-MODIFIED:20241030T142815Z
UID:3850-1730480400-1730485800@disabilitystudies.nyu.edu
SUMMARY:Leprosy\, care and human rights with Dr.  Beatriz Miranda-Galarza
DESCRIPTION:The NYU Department of Anthropology and the NYU Center for Disability Studies invite you to a medical anthropology/STS workshop with Anthropologist and Disability Studies scholar and activist Dr. Beatriz Miranda-Galarza\, UN Special Rapporteur on discrimination against persons with leprosy\, Coordinator of the Critical Disability Studies Programme and Critical Studies in Health\, 17 Institute of Critical Studies in Mexico City.\n\n \nLEPROSY\, CARE and HUMAN RIGHTS\nFRIDAY NOVEMBER 1\,  5 – 6:30 PM\, NYU Anthropology Department 25 Waverly Place\, first floor conference room\n \nDr.  Beatriz Miranda-Galarza is an expert on resurgent leprosy in Latin America\, Africa and Asia. She will be speaking on leprosy in the USA; human rights\, leprosy and care; and the UN and Care Units. She will be screening two 5 minute videos created by people with leprosy. \n  \nRSVP to faye.ginsburg@nyu.edu\n \nIf you have any access needs\, please contact faye.ginsburg@nyu.edu. We can accommodate requests for CART or ASL interpretation up to October 15
URL:https://disabilitystudies.nyu.edu/event/lchr/
LOCATION:25 Waverly Place\, 25 Waverly Place\, New York\, NY\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241017T080000
DTEND;TZID=America/New_York:20241019T193000
DTSTAMP:20241016T004928Z
CREATED:20240912T172402Z
LAST-MODIFIED:20241016T004928Z
UID:3749-1729152000-1729366200@disabilitystudies.nyu.edu
SUMMARY:Open Circuits Revisited
DESCRIPTION:The groundbreaking Open Circuits: An International Conference on the Future of Television\, sponsored by EAI and held at MoMA in 1974\, brought together artists\, theorists\, curators\, arts administrators\, and critics to discuss the challenges and opportunities of artists’ television and video. On the 50th anniversary of this landmark event\, EAI is thrilled to collaborate with NYU’s Center for Disability Studies and Department of Media\, Culture\, and Communications to present a series of public lectures and events\, paired with closed discussion sessions convening artists and practitioners in the field. If you have any accessibility needs or questions about our access plans for these events\, please contact cstrange@eai.org. We can accommodate requests for ASL interpretation up to two weeks prior to October 17. HEPA filters will be on the premises for all events\, provided by Artists in Resistance NYC.\n  \nSchedule of Events:\n  \nThursday\, October 17: Susan Murray and Fred Turner in Conversation\, with introductions by Rebecca Cleman and Marita Sturken\nLocation: The Center for Ballet and the Arts at NYU\n16-20 Cooper Sq.\, New York\, NY\, 10003\n  \nFriday\, October 18: The New Television: Video After Television: Book Launch and Reception\nLocation: EAI\n  \nSaturday\, October 19: Alexander Galloway x Whit Pow: Error\, Noise\, & Randomness\nLocation: EAI\n  \nPresenter Biographies:\n  \nSusan Murray\, New York University\nSusan Murray is Professor of Media\, Culture\, and Communication at NYU. She is the author of Bright Signals: A History of Color Television and was a 2021 Guggenheim Fellow.\n  \nFred Turner\, Stanford University\nFred Turner is the Harry and Norman Chandler Professor of Communication at Stanford University. He is the author most recently\, with Mary Beth Meehan\, of Seeing Silicon Valley: Life Inside a Fraying America.\n  \nMarita Sturken\, New York University\nMarita Sturken is Professor of Media\, Culture\, and Communication at NYU. She is the author of Terrorism in American Memory: Memorials\, Museums\, and Architecture in the Post-9/11 Era (New York University Press\, 2022)\, Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright\, Oxford University Press\, Third Edition 2018)\, among several other books.\n  \nRebecca Cleman\, Electronic Arts Intermix\nRebecca Cleman is Executive Director of Electronic Arts Intermix and a writer. She has programmed screenings and special projects for such venues as the International House Philadelphia; the Museum of Art and Design\, Anthology Film Archives\, and Andrea Rosen Gallery\, New York City; and the Julia Stoschek Collection\, Germany.\n  \nAlexander R. Galloway\, New York University\nAlexander R. Galloway is a professor of Media\, Culture\, and Communication at New York University. His most recent book is Uncomputable: Play and Politics In the Long Digital Age (Verso\, 2021).\n  \nWhit Pow\nWhit Pow is an assistant professor of Media\, Culture\, and Communication at New York University. Their work focuses on queer and transgender (trans) histories of games\, computational media and electronic art. Their latest article\, “How the Computer Taught Us to See\,” is published in Camera Obscura by Duke University Press.\n 
URL:https://disabilitystudies.nyu.edu/event/open-circuits-revisited/
LOCATION:25 Waverly Place rm 706
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/09/EAI-Logo-Black-w-White-Outline-copy.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241011
DTEND;VALUE=DATE:20241013
DTSTAMP:20250530T184916Z
CREATED:20240912T191150Z
LAST-MODIFIED:20250530T184916Z
UID:3760-1728604800-1728777599@disabilitystudies.nyu.edu
SUMMARY:Conference: The Global Cochlear Implant
DESCRIPTION:Image from Darrin Martin\, “Listening In…“ \n\nConference: The Global Cochlear Implant\nThe University of Chicago \nOctober 11-12\, 2024 \nRoom: (This conference is taking place in person only at The University of Chicago) \n\nFriday: Social Science Research Building room 302\nSaturday: Rosenwald Hall room 329\n\nSponsored by the University of Chicago and the NYU Center for Disability Studies\, with funding from The National Endowment for the Humanities Dangers and Opportunities of Technology Program. \nCo-sponsored by the University of Chicago Center for International Social Science Research\, Center for East Asian Studies\, and Department of Comparative Human Development Giannino Fund. \nCART and ASL provided. \n\nConference Program: \n\nFriday October 11th\, 2024 (Social Science Research Building room 302) \n9:30-10: Introduction by Michele Friedner (University of Chicago) and Mara Mills (New York University) \n\n\n10:00-10:30 Mara Mills (New York University)\, “There is No Such Thing as Artificial Hearing: Cochlear Implants Become Speech Processors (1964-1978)” \n10:30-11:00: Soline Vennetier (Ecole des Hautes Etudes en Sciences Sociales)\, “Shifting technology: a History of Cochlear Implants\, Deafness\, and the Deaf Community in France Since the 1960s” \n11:00-11:30: Magnus Schaefer (McGill)\, “MED-EL: Naturalizing ‘Natural Hearing’” \n11:30-12:00: Discussion: Histories of Cochlear Implants \n12:00-1:00:  LUNCH \n1:00-1:30: Kaitlin Stack Whitney (RIT)\, “Cochlear and neural implants beyond the human” \n1:30-2:00: Corinna Hill (RIT/NTID) and Wyatte Hall (University of Rochester Medical Center)\, “Reality Versus Marketing: The Role and Perceptions of the Cochlear Implant as A Language Acquisition Device Throughout History” \n2:00-2:15  BREAK \n2:15-2:45: Sharath Chandra Ramakrishnan (University of Illinois Urbana-Champaign)\, “Regulatory concerns and unintended consequences in the assemblage of cochlear implantation” \n2:45-3:15: Discussion: STS approaches to Cochlear Implants \n5:00-6:00: Darrin Martin (UC Davis)\, Artist Talk and Screening of “Listening In…” \n6:00-7:00: RECEPTION \nSaturday October 12\, 2024 (Social Science Research Building room 302) \n10:00-10:30: Timothy Loh (Princeton)\, “An expanded istifada: cochlear implants and regulating communication for deaf Jordanians” \n10:30-11:00: Fulden Arisan (University of Chicago)\, “Globalizing Hearing Loss: Cochlear Implant Networks and Prosthetic Citizenship in Turkey” \n11:00-11:15 BREAK \n11:15-11:45: Theresia Hofer (University of Bristol) and Junhui Yang (University of Central Lancashire)\, “The Tech\, the State and the People in the Routinization of Cochlear Implants in China” \n11:45-12:15: Michele Friedner (University of Chicago)\, “Cochlear Implant Circuits: Geopolitical and Affective Hearing and Not-Hearing Mobilities and Networks in Pakistan” \n12:15-1:15: Tsung-Lun Alan Wang (National Yang Ming Chiao Tung University)\, “Linguistic entrepreneurship and cochlear implants: An ethnographic context of Taiwanese deaf adults” \n1:15-2:15: LUNCH \n2:15-2:45: Discussion: Ethnographies of Cochlear Implants \n2:45-3:15: Lindsey D. Felt (Stanford)\, “Cochlear Implants and Criptech Futures” \n3:15-3:45: Danielle Carr (UCLA)\, “Emerging Concerns in the Field of Neural Implants” \n3:45-4:15 Closing Discussion: Keywords and Cross-Cutting Concepts \n6:00: DINNER FOR CONFERENCE PRESENTERS
URL:https://disabilitystudies.nyu.edu/event/conference-the-global-cochlear-implant/
LOCATION:The University of Chicago
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/08/Darrin-Martin-Listening-In.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240925T180000
DTEND;TZID=America/New_York:20240925T193000
DTSTAMP:20250828T180846Z
CREATED:20240903T175019Z
LAST-MODIFIED:20250828T180846Z
UID:3667-1727287200-1727292600@disabilitystudies.nyu.edu
SUMMARY:Sunaura Taylor Book Talk
DESCRIPTION:Sunaura Taylor Book Talk\nWednesday\, Sep 25 2024\, 6PM\nSCA Flex Space 20 Cooper Square\, 4th Floor \n\nPlease join The Center for Disability Studies\, the Department of Social and Cultural Analysis\, and NYU Environmental Studies for a book talk where author\, Sunaura Taylor will be discussing her book\, Disabled Ecologies: Lessons from A Wounded Desert\, and will be in conversation with Professor Julie Livingston and Professor Thuy Tu. \n  \n Deep below the ground in Tucson\, Arizona\, lies an aquifer forever altered by the detritus of a postwar Superfund site. Disabled Ecologies tells the story of this contamination and its ripple effects through the largely Mexican American community living above. Drawing on her own complex relationship to this long-ago injured landscape\, Sunaura Taylor takes us with her to follow the site’s disabled ecology—the networks of disability\, both human and wild\, that are created when ecosystems are corrupted and profoundly altered.\n  \nWhat Taylor finds is a story of entanglements that reach far beyond the Sonoran Desert. These stories tell of debilitating and sometimes life-ending injuries\, but they also map out alternative modes of connection\, solidarity\, and resistance—an environmentalism of the injured. An original and deeply personal reflection on what disability means in an era of increasing multispecies disablement\, Disabled Ecologies is a powerful call to reflect on the kinds of care\, treatment\, and assistance this age of disability requires.
URL:https://disabilitystudies.nyu.edu/event/sunaura-taylor-book-talk/
LOCATION:20 Cooper Square\, 4th floor
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240516T170000
DTEND;TZID=America/New_York:20240516T183000
DTSTAMP:20240614T130435Z
CREATED:20240507T195635Z
LAST-MODIFIED:20240614T130435Z
UID:3221-1715878800-1715884200@disabilitystudies.nyu.edu
SUMMARY:Book Launch for Disability Worlds\, by Faye Ginsburg & Rayna Rapp  (Duke University Press\, 2024)
DESCRIPTION:  \nPlease join The Center for Disability Studies\, Faye Ginsburg and Rayna Rapp (NYU anthropologists/authors/activists) to celebrate the publication of Disability Worlds with a welcome from Jordana Mendelson (Director\, NYU KJCC\, Dept. of Spanish and Portuguese) and remarks by Simi Linton (disability activist\, project director and author of Proclaiming Disability Arts) followed by a brief reading from the book. \n  \nEvent is free and open to the public. \nLight refreshments will be served. \nVenue is outdoors and wheelchair accessible. Masks are encouraged. \nASL will be available.
URL:https://disabilitystudies.nyu.edu/event/book-launch-for-disability-worlds-by-faye-ginsburg-rayna-rapp-duke-university-press-2024/
LOCATION:King Juan Carlos Center Patio\, 53 Washington Square South
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240425T180000
DTEND;TZID=America/New_York:20240425T191500
DTSTAMP:20240614T130539Z
CREATED:20240417T140654Z
LAST-MODIFIED:20240614T130539Z
UID:3211-1714068000-1714072500@disabilitystudies.nyu.edu
SUMMARY:An Abundance of Feeling: An Artist Talk and Reading with Alex Dolores Salerno and ofi Davis
DESCRIPTION:Join us for a conversation between poet ofi davis and artist Alex Dolores Salerno\, moderated by artist Francisco echo Eraso in conjunction with Alex Dolores Salerno’s exhibition Greenness on view at Real Art Ways. Greenness\, a show dedicated to disabled ancestor Mel Baggs\, frames being in relationship with the earth as an access need. ofi and Alex will share poetry by Mel Baggs along with their own work. This will be followed by an intimate conversation foregrounding autistic access intimacy\, friendship\, and an exploration of the ways that their practices are inextricable from their lived experiences. \n\nParticipants’ Bios: \nAlex Dolores Salerno (b. 1994\, homeland of the Nacotchtank\, Anacostan and Piscataway people colonially known as Washington D.C.) is an interdisciplinary artist based in Lenapehoking\, colonially known as Brooklyn\, NY. Informed by queercrip experience\, community\, and culture\, they work to critique standards of productivity\, 24/7 society\, notions of normative embodiment\, and the commodification of rest. Salerno received their MFA from Parsons School of Design and their BS from Skidmore College. They have exhibited at the Museum für Moderne Kunst (Frankfurt)\, Espacio de Arte Contemporáneo de Castellón (Castellón)\, ARGOS centre for audiovisual arts (Brussels)\, Art Windsor-Essex (Windsor)\, The 8th Floor\, the Ford Foundation Gallery (NYC)\, among others. They have been awarded a Wynn Newhouse Award (2022) and an Art Matters Foundation Artist2Artist Fellowship (2023). Recent publications include Panorama: Journal of the Association of Historians of American Art and Art in America. Salerno has been an artist in residence at Art Beyond Sight’s Art & Disability Residency (2019-2020)\, the Artist Studios Program at the Museum of Arts and Design (2021)\, the Visual Artist AIRspace Residency at Abrons Arts Center (2022-2023)\, and they are currently in residence at BRIClab: Contemporary Art Residency Program at BRIC (2023-2024). Visit Salerno’s website HERE for more information. \nofi davis (he/they) is a two-spirit poet\, access worker and educator accountable to the Choctaw Nation of Oklahoma. his work has been published in Everybody Press Review and he is a proud contributor to Queer Earth Food Vol. 2 (Combos Press)\, among others. while originally born and raised in the south\, he is now living and working in Lenapehoking — colonially known as new york city. ofi is an alumni of NYU and is currently studying poetry at Columbia University. \n(Moderator) Francisco echo Eraso (he/él) is a disabled\, trans\, Colombian-American interdisciplinary artist\, educator and access consultant. Eraso received his BA/BFA from Parsons\, The New School in Visual Studies and Fine Arts (2018). Eraso has received the Wynn Newhouse Award\, the Kennedy Center LEAD award\, and has been a call to action speaker for Art-Reach Conference on Arts\, Culture\, and Disability. He has worked in arts access at the Whitney Museum of American Art\, Ford Foundation and consulted with various arts organizations including the Shed\, New Museum and Museum Access Consortium. He has been an artist-in-residence at Elizabeth Foundation for the Arts SHIFT residency for arts workers\, FABSCRAP\, Textile Arts Center\, 77Art and Art Beyond Sight’s Art and Disability Residency. He has exhibited at EFA Project Space\, Westbeth Gallery\, Chashama Space Gallery\, Ford Foundation Gallery\, Amos Eno Gallery\, Flux Factory and Sheila C. Johnson Gallery in New York\, Mead Museum and A.P.E. Gallery in Massachusetts\, The National Council on Education for the Ceramic Arts in Cincinnati\, among others. Eraso is currently pursuing his MFA in Fine Arts from the Mason Gross School of the Arts at Rutgers University in New Jersey. \n  \n \n  \nEvent is free and open to the public.\nASL and live captions will be provided.\nPlease email accessibility needs as they relate\nto this event to francisco@proclaimingdisabilityarts.org. \n 
URL:https://disabilitystudies.nyu.edu/event/an-abundance-of-feeling-an-artist-talk-and-reading-with-alex-dolores-salerno-and-ofi-davis/
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/04/unnamed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240412T160000
DTEND;TZID=America/New_York:20240412T173000
DTSTAMP:20240614T130626Z
CREATED:20240130T090053Z
LAST-MODIFIED:20240614T130626Z
UID:3126-1712937600-1712943000@disabilitystudies.nyu.edu
SUMMARY:What does sound do? An artist talk with Andy Slater\, Josephine Sales\, and Meesh Sara Fradkin\, moderated by Jonathan Sterne
DESCRIPTION:The Center for Disability Studies invites you to join Andy Slater\, Josephine Sales\, and Meesh Sara Fradkin for an artist talk moderated by Jonathan Sterne. The three artists will delve into their individual practices through various forms of sound art and descriptions\, and then come together in conversation about poetics and access.\n  \nFriday April 12\, 4-5:30 pm ET on Zoom\n\n  \nEvent announcement using redaction 50 type and segoe ui regular type in black and orange with a faded pastel yellow background. ‘What does sound do?’ takes up about 2/3 of the image\, with ‘sound’ overlaid and pixilated. Flyer by Jules Galbraith.\nAndy Slater (b. 1975 Milford\, CT) is a blind Chicago-based media artist\, writer\, performer\, and accessibility advocate. Andy holds a Masters in Sound Arts and Industries from Northwestern University and a BFA from the School of the Art Institute of Chicago. He was a 2022 United States Artists fellow\, 2022-2023 Leonardo CripTech Incubator fellow and a 2018 3Arts/Bodies of Work fellow at the University of Illinois Chicago. He is a teaching artist with the Atlantic Center for the Arts’ Young SoundSeekers program\, Midwest Society For Acoustic Ecology\, and Creative Users’ Sensory Shift program. Andy has been published in Array: The International Computer Music Journal\, McSweeney’s Quarterly Concern volume 61\, Curating Access: Disability Art Activism and Creative Accommodation\, English Studies in Canada\, The Chicago Reader\, and Jane. Andy’s current work focuses on advocacy for accessible art and technology\, alt-text for sound and image\, the phonology of the blind body\, spatial audio for extended reality\, and sound design for film\, dance\, and digital scent design. \n  \n\nVideo for At Arms Length by Andy Slater. The screen is blank. \n  \nJosephine Sales is an artist working with sculpture\, sound\, image and performance to consider how disability may expand our relational capacity. The artist’s work has been presented at Palais de Tokyo\, The Museum of Contemporary Art Chicago\, Kai Matsumiya\, New York and The Shed. Fellowships include Leonardo\, International Society for Arts\, Sciences and Technology (2021-2023)\, Black Box Residency at University of California Irvine Beall Center for Art + Technology (2022-2023)\, and AAPD research internship at The Northwestern Pritzker Law Center for Racial and Disability Justice (2023); and a key contributor to the set design and sculptures for Kinetic Light’s Wired. Sales received an MFA in Photography from Milton Avery School of the Arts\, Bard College and lives and works in New York City. \n  \n \nPulses 2023. A sonic description video still of a solid gray background with yellow open caption text reads [music note symbol] “I need your loooooove (time)” \n  \nMeesh Sara Fradkin is a writer\, sound artist\, and PhD candidate in interdisciplinary music technology at McGill University. Meesh is also a researcher at the Input Devices and Music Interaction Laboratory and The Centre for Interdisciplinary Research in Music Media and Technology. She is currently a visiting scholar at NYU’s Center for Disability Studies. Meesh lives and works in Brooklyn and sometimes Montreal. \n\nVideo for babbling. Sound descriptions are cluttered throughout the screen in red\, green\, and white text with a black background. \n  \nJonathan Sterne teaches at McGill University. He is author of Diminished Faculties: A Political Phenomenology of Impairment (2021); MP3: The Meaning of a Format (2012); The Audible Past: Cultural Origins of Sound Reproduction (2003) all on Duke University Press; and numerous articles on media\, technologies\, and the politics of culture. With Mara Mills\, he is writing Tuning Time: Histories of Sound and Speed\, which considers the history of rate-adjusted audio from blind phonograph hackers to Auto-Tune and the “playback speed” setting on YouTube. With an ensemble of coauthors\, he is writing The Sound of AI: Audio\, Culture\, and the Politics of Machine Learning. Visit his website at https://sterneworks.org \n.​.​.​and this is my voice from Cancerscapes by Jonathan Sterne \n  \nEvent is free and open to the public. \nASL and live captions will be provided. \nPlease email accessibility needs as they relate to this event to msf440@nyu.edu. \n Co-sponsored by CuteLab NYC\, nothing to say press\, Proclaiming Disability Arts. \n\n 
URL:https://disabilitystudies.nyu.edu/event/what-does-sound-do-an-artist-talk-with-andy-slater-josephine-sales-and-meesh-sara-fradkin-moderated-by-jonathan-sterne/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240329T170000
DTEND;TZID=America/New_York:20240329T183000
DTSTAMP:20240614T130703Z
CREATED:20230920T151429Z
LAST-MODIFIED:20240614T130703Z
UID:2962-1711731600-1711737000@disabilitystudies.nyu.edu
SUMMARY:Shrinkage And Activist Affordances\, With Arseli Dokumaci And Michele Friedner
DESCRIPTION:Join us as Arseli Dokumaci and Michele Friedner engage in a conversation about shrinking worlds and activist affordances. Following a brief viewing and discussion of Arseli’s ethnographic videos showing activist affordances in action\, Arseli and Michele will facilitate and open up a conversation about the immense amount of effort and creative work disabled people do everyday\, building inhabitable worlds from the ground up.\n  \n\nEvent is free and open to the public. \nASL and live captions will be provided. \nPlease email accessibility needs as they relate to this event to msf440@nyu.edu. \n \nBook cover split into two. On top is a black rectangle with the book title\n“Activist Affordances: How disabled people improvise more habitable worlds”. Below is an image of a hand (in a close-up) holding a spoon innovatively. \n\nArseli Dokumaci (she/hers) is a Canada Research Chair in Critical Disability Studies and Media Technologies\, and an Associate Professor in the Department of Communication Studies at Concordia University. Her scholarly and creative work lies at the crossovers of disability studies\, performance studies and medical anthropology. Arseli is the director of Access in the making (AIM) Lab\, and the author of Activist Affordances: How Disabled People Improvise More Livable Worlds (Duke UP\, 2023). \nPhoto credit\, Roi Saade 2022.\n  \nHello\, this is Arseli\, an olive-skinned woman in her early 40s\, gently smiling at the camera. I’m outside with a jumper on\, where the grass is still green\, and the trees have leaves. \n  \n  \n  \n\nMichele Friedner is a medical anthropologist in the University of Chicago’s Department of Comparative Human Development. She works mostly on deafness and disability in India and is the author of Valuing Deaf Worlds in Urban India (2015) and Sensory Futures: Deafness and Cochlear Implant Infrastructures in India (2022) as well as a number of journal articles and commentaries. \n  \nPhoto by Joe Sterbenc\n  \nA white woman with wavy reddish hair and a grey blazer awkwardly holds a small reddish dog. The woman is smiling at the camera while the dog looks unhappy and is possibly glowering.
URL:https://disabilitystudies.nyu.edu/event/virtual-book-launch-activist-affordances-how-disabled-people-improvise-more-habitable-worlds-author-arseli-dokumaci-with-michele-friedner/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240301T170000
DTEND;TZID=America/New_York:20240301T193000
DTSTAMP:20240614T130741Z
CREATED:20240201T174741Z
LAST-MODIFIED:20240614T130741Z
UID:3134-1709312400-1709321400@disabilitystudies.nyu.edu
SUMMARY:Fire Through Dry Grass (2023\, 89 minutes) screening and discussion with film directors Andres “Jay” Molina and Alexis Neophytides\, moderated by director of Proclaiming Disability Arts\, Simi Linton
DESCRIPTION:Friday\, March 1 5:00-7:30 PM\n19 University Place\, New York University Theater 102\n  \n\n  \n \nA film poster with the title “Fire Through Dry Grass” in bold yellow handwritten block letters. An image of 5 Black and brown men in wheelchairs\, looking straight into the camera\, is above the text. They are on a dark gray background that has layered yellow drawings intricately arranged: a brick building\, a man in a mask\, varied excerpts of poetry\, and a seagull\, to name a few. \nThis award-winning documentary chronicles the devastation experienced by residents of a NYC nursing home during the coronavirus pandemic. The film takes viewers inside Coler\, on Roosevelt Island\, where director Jay Molina lives with his fellow Reality Poets\, a group of mostly gun violence survivors. Instead of history repeating itself on this tiny island with a dark history of institutional neglect and abandonment\, Fire Through Dry Grass shows these disabled Black and Brown artists refusing to be abused\, confined\, erased.\nEvent is free and open to the public.\nWe ask all attendees to wear masks as a result of COVID. \nVenue is wheelchair accessible. ASL and CART will be provided. Film is open captioned. \nAudio description available on request. \nPlease include accessibility needs as they relate to the event in the registration\, or email msf440@nyu.edu. \n\n  \nCo-Sponsored by NYU Center for Media\, Culture & History\, Proclaiming Disability Arts\, NYU Department of Cinema Studies\, NYU Kanbar Institute of Film\, Television and Media.
URL:https://disabilitystudies.nyu.edu/event/fire-through-dry-glass-2023-89-minutes-screening-and-discussion-with-film-directors-andres-jay-molina-and-alexis-neophytides-moderated-by-director-of-proclaiming-disability/
LOCATION:19 University Place\, NYU\, Theater 102
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240229T170000
DTEND;TZID=America/New_York:20240229T183000
DTSTAMP:20251010T164403Z
CREATED:20240118T162444Z
LAST-MODIFIED:20251010T164403Z
UID:3102-1709226000-1709231400@disabilitystudies.nyu.edu
SUMMARY:Bad Crip Feelings and How (Not) to Bear Them\, with J. Logan Smilges and Jina B. Kim
DESCRIPTION:Join us for an evening of bad crip feelings with a talk by J. Logan Smilges (UBC) on their book Crip Negativity (2023)\, followed by a conversation with Jina B. Kim (Smith). Crip Negativity addresses the role of bad feelings in disability studies and organizing\, and at this event\, Smilges will address what the book’s reception can tell us about the field’s affective attachments and political commitments. This event is moderated by Mara Mills. \n\n  \nCover for Crip Negativity by J. Logan Smilges. White text against a solid black background. \n  \nJ. Logan Smilges is an assistant professor of English Language and Literatures at the University of British Columbia. Led by commitments to transfeminism and disability justice\, their scholarship and teaching lie at the nexus of queer/trans disability studies\, rhetorical studies\, and the history of medicine. They are the author of Queer Silence: On Disability and Rhetorical Absence (University of Minnesota Press\, 2022) and Crip Negativity (University of Minnesota Press\, 2023). Their other writing can be found in Transgender Studies Quarterly\, Disability Studies Quarterly\, Women’s Studies Quarterly\, College Composition and Communication\, Rhetoric Review\, and elsewhere. \n \n  \nBlack and white photo of J. Logan\, a white person with a shaved head\, sitting on a stool and facing the camera with a serious expression. They are wearing a black\, sleeveless turtleneck\, black pants\, and blank shoes. \n  \n  \n  \n  \n  \n  \nJina B. Kim is a scholar\, writer\, and educator of critical disability studies and feminist/ queer-of-color critique. She is an assistant professor of English and the Study of Women and Gender at Smith College. Currently\, she is at work on a manuscript titled Dreaming of Infrastructure: Crip-of-Color Writing after the U.S. Welfare State\, which brings disability analysis to bear on women- and queer-of-color writing after 1996 U.S. welfare reform. Her work has appeared in Signs\, Social Text\, American Quarterly\, MELUS\, Disability Studies Quarterly\, South Atlantic Quarterly\, and The Asian American Literary Review. She can be found on Instagram at @emancipation_of_jiji \n \n  \n  \nA Korean-American woman with large glasses and black turtleneck smiles at the camera. She is in 3/4 profile and there is autumn foliage in the background. \n  \n  \n  \n  \nEvent is free and open to the public. \nASL and live captions will be provided. \nIf you require captioning and ASL simultaneously\, we recommend using a laptop or desktop computer\, and not a tablet or smartphone. \nPlease email accessibility needs as they relate to this event to msf440@nyu.edu. \n  \nCo-sponsored by NYU Department of English Disability Studies & Advocacy Group and the Center for the Study of Gender and Sexuality
URL:https://disabilitystudies.nyu.edu/event/bad-crip-feelings-and-how-not-to-bear-them-with-j-logan-smilges-and-jina-b-kim/
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/01/unnamed-e1705595002572.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240215T120000
DTEND;TZID=America/New_York:20240215T130000
DTSTAMP:20240614T131727Z
CREATED:20240116T171514Z
LAST-MODIFIED:20240614T131727Z
UID:3087-1707998400-1708002000@disabilitystudies.nyu.edu
SUMMARY:Writing An Arab Illness Narrative: Head Above Water Shahd Alshammari\, in conversation with Mara Mills
DESCRIPTION:Thursday\, February 15 2024 from 12-1pm EST \n\nHead Above Water: Reflections on Illness book cover. A woman lays with her eyes closed\, facing up towards the sky. She is immersed in pink\, orange\, and white circles\, which live on about 2/3 of the book cover. In all caps in a white bolded type\, Shahd Alshammari’s name is at the very top center. The book title is in the same type until the semicolon\, where it then switches to a pink that matches some of the circles. \n\nPlease join us for Dr. Alshammari’s reading from Head Above Water\, one of the first disability memoirs from the Gulf region\, with a follow up discussion on disability in literature and the role of illness narratives by Arab women.  \nHead above Water is an intimate\, philosophical memoir by Shahd Alshammari\, a woman marked “ill” by society and a lifelong reader\, student\, and teacher. Alshammari explores disability\, displacement\, and belonging—not only of the body\, but of culture\, gender\, and race. Head Above Water was longlisted for The Barbellion Prize and has been referred to as “an intimate and layered portrait of disabled womanhood.” – Kirkus (starred review) \n\n \nHeadshot of Shahd Alshammari\, an Arab woman smiling widely at the camera. Shahd has black curly shoulder length hair; on the right side her hair is behind her ear\, which has a pearl earring with a silver circle dangling from it. She is wearing large black square framed glasses\, a pinkish lipstick\, a white jacket\, and a white collared button down underneath. She is in front of an out-of-focus library. \nPhoto credit\, Dima Assad \n  \n  \n  \n  \n\n\n\n\n\n\nShahd Alshammari is a Kuwaiti-Palestinian author and academic. She is the author of the books Notes on the Flesh and Head Above Water\, as well as numerous other academic publications and papers. Most recently\, she is the co-editor of Gulf Women’s Lives: Voice\, Space\, Place (University of Exeter Press\, 2024). Her areas of research include illness narratives\, disability studies\, and questions of identity and language in the Arab world. \n\n\n\n\n\nEvent is free and open to the public. \nASL and live captions will be provided. \nPlease include accessibility needs as they relate to the event in the registration\, or email msf440@nyu.edu. \n  \nCo-Sponsored by the Hagop Kevorkian Center for Near Eastern Studies\, NYU Department of English Disability Studies & Advocacy Group and 19WSN.
URL:https://disabilitystudies.nyu.edu/event/writing-an-arab-illness-narrative-head-above-water-shahd-alshammari-in-conversation-with-mara-mills/
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/01/52b2e31d-9517-3989-2156-8c62bc0c202e-1-e1705425665225.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240129T180000
DTEND;TZID=America/New_York:20240129T180000
DTSTAMP:20240927T181239Z
CREATED:20240118T214537Z
LAST-MODIFIED:20240927T181239Z
UID:3109-1706551200-1706551200@disabilitystudies.nyu.edu
SUMMARY:Time\, Disability\, and the Making of an Opera
DESCRIPTION:Choreographer Jerron Herman and Historian of Science and Technology Mara Mills discuss opera and disability and Herman’s approach to choreography and design for the upcoming 2025 world premiere of Sensorium Ex\, a contemporary opera composed by Paola Prestini\, with libretto by Brenda Shaugnessy and co-direction by Jay Scheib. In partnership with NYU Center for Disability Studies\, the evening will investigate the ways that disability shapes time\, with a particular focus on the possibilities and paradoxes of fermata in Herman’s work. Dance and music from the work will be part of the discussion. \n\n\nParticipant Bios: \nJerron Herman (CBA ’24) is a dancer and writer who is compelled to create images of freedom. The nuanced pieces Jerron exhibits uplift an early childhood desire to create joyful worlds in which others inhabit. He has premiered works at Danspace Project\, Performance Space New York\, and The Whitney Museum. Jerron’s VITRUVIAN premiered in NYC and has toured to the Baltimore Museum of Art curated by Johns Hopkins University\, ODC in San Francisco and a digital release for Lincoln Center. He’s traveled to a ceramic residency at the famed EKWC in the Netherlands and exhibited for 1969 Gallery (Chella Man)\, LOMAA in Ontario\, and ICA Philadelphia (Carolyn Lazard). Jerron is also the choreographer and co-director of Sensorium Ex\, a new opera set to debut in 2025. Other accolades include a 2021 Grants to Artists Award from the Foundation for Contemporary Arts and a 2021-2022 Jerome Hill Artist Fellowship in Dance from the Jerome Foundation. The 2021 PETRONIO Award and residency as well as a 2020 Disability Futures Fellowship by the Ford Foundation and the Andrew W. Mellon Foundation. 07. \nMara Mills (CBA ’22) is Associate Professor of Media\, Culture\, and Communication at New York University and co-director of the NYU Center for Disability Studies (CDS). She works at the intersection of sound studies and disability studies\, and programs disability arts events at CDS. Mills is a founding editor of the journal Catalyst: Feminism\, Theory\, Technoscience. Most recently\, she co-edited the book Testing Hearing: The Making of Modern Aurality (Oxford University Press\, 2020) with Viktoria Tkaczyk and Alexandra Hui. She has published articles in Grey Room\, differences\, Social Text\, PMLA\, and Technology & Culture\, among others. Mills received B.A. degrees in Biology and Literature from the University of California at Santa Cruz and an M.A. in Biology and Ph.D. in History of Science from Harvard University. Mills’ public arts and humanities writing can be found at sites like Triple Canopy\, Artforum\, Public Books\, Somatosphere\, and AVIDLY—a channel of the Los Angeles Review of Books. \nFOR IN PERSON ATTENDANCE: Per NYU Policy\, guests are required to bring photo ID. Failure to do so may result in entry denial. Additionally\, all in-person guests must be registered into NYU’s guest access system\, and the information will be used for purposes such as emergency procedures and contact tracing. \nThis is an in-person event. The program will be recorded and posted to our Youtube channel. Please email nyucba@gmail.com with any accessibility needs. \nPhoto Credit: Jerron Herman by Adrian McCourt\, and Mara Mills by Rinn Blair
URL:https://disabilitystudies.nyu.edu/event/time-disability-and-the-making-of-an-opera/
ATTACH;FMTTYPE=image/png:https://disabilitystudies.nyu.edu/wp-content/uploads/2024/01/Screen-Shot-2024-01-18-at-4.42.23-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231116T190000
DTEND;TZID=America/New_York:20231116T210000
DTSTAMP:20240614T131919Z
CREATED:20231113T185706Z
LAST-MODIFIED:20240614T131919Z
UID:3056-1700161200-1700168400@disabilitystudies.nyu.edu
SUMMARY:Alt-text as Poetry with Bojana Coklyat and Finnegan Shannon
DESCRIPTION:Thursday\, November 16 at 7PM\nin-person @ St. Mark’s Church\, 131 E. 10th Street\,\nNew York\, NY 1003 \n \nA banner with a beige background and thin black-line frame; off-right are two irregular half circles drawn in charcoal\, extending to the top edge and bottom edge of the banner and almost meeting each other in the center but not quite. To the center-right of the frame are three dashed charcoal lines in a row\, beginning at the center-right edge of the banner and extending to almost in between the two half-circles but not quite. \n\nMASKS ARE REQUIRED TO ATTEND THIS WORKSHOP \nAlt-text is an essential part of web accessibility. Alt-text\, a short description of an image or gif\, is a way of making visual content accessible to blind and low-vision people using screen readers. Alt-text is often disregarded altogether or understood through the lens of compliance\, as an unwelcome burden to be met with minimum effort. How can we instead approach alt-text thoughtfully and creatively\, while still prioritizing alt-text as an accessibility practice? \nThis Alt-text as Poetry Workshop\, led by the artists Bojana Coklyat and Finnegan Shannon\, will start with a 30-minute presentation. Bojana and Finnegan will give some context for the workshop\, talk about alt-text as poetry\, and share some examples of poetic and creative approaches to alt-text. Next\, participants will do two writing exercises to practice describing. For both exercises\, participants have the option to work with an image or a sound. For the first one\, Bojana and Finnegan will provide an image and sound. For the second exercise\, participants will work with an image or sound of their choosing (more about that below). The workshop will do the first exercise all together. For the second\, participants will work in small groups. \n\nBojana Coklyat is a disabled artist\, 2019-2020 J. William Fulbright alumni and previous project leader at the NYC Museum Arts and Culture Access Consortium (MAC). In 2019\, she curated Crip Imponderabilia\, the first gallery exhibit at NYU centering all disabled artists and disability culture. Around this time\, she began collaborating with Finnegan Shannon on the Alt-Text as Poetry project. This has included facilitating workshops at Twitter\, Google and MIT. Recently\, Bojana has taken on the position of associate producer on a film funded by the American Foundation for the Blind\, featuring a variety of different people in the blind community. Bojana is also currently teaching a course on access and design at Parson’s School of Design at The New School. \n. \nBojana\, a smiling white woman in her 40’s\, holding a fresh\, hot\, cup of coffee – as if to say\, come join me for a chat. Her blonde hair is pulled back into a pony tail. Her bangs are swept to the left side\, and she is wearing a soft\, cream colored\, button down shirt \n  \nFinnegan Shannon (b. 1989\, Berkeley\, CA) is an artist experimenting with forms of access. They intervene in ableist structures with humor\, earnestness\, and rage. Some of their recent work includes Anti-Stairs Club Lounge\, an ongoing project that gathers people together who share an aversion to stairs; Alt Text as Poetry\, a collaboration with Bojana Coklyat that explores the expressive potential of image description; and Do You Want Us Here or Not\, a series of benches and cushions designed for exhibition spaces. Their work has been supported by a Wynn Newhouse Award\, an Eyebeam fellowship\, and grants from Art Matters Foundation\, Canada Council for the Arts\, and the Disability Visibility Project. \n  \nSt. Mark’s Church is wheelchair accessible. The Poetry Project will arrange for an ASL interpreter for any event with one week’s advance notice. Please call The Poetry Project at 212-674-0910 in advance of events to arrange accessibility. \nPlease note on Fridays between 8-9:30pm the wheelchair accessible all gender bathrooms on the ground floor are unavailable because another arts project has performances in the sanctuary. There are all gender bathrooms on the second floor of the church. To access Parish Hall\, attendees must pass through the main sanctuary and a corridor. There are 2 sets of double doors and two single doors to go through. The smallest of these doors at the end of the corridor is 28.5 inches wide. \n \nA .gif with a beige background and thin black-line frame and sans serif font centered at the top that reads “The Poetry Project” and sans serif font centered at the bottom that reads “Fall 2023”. In between the text is an animation of line drawings of two hands approaching one another from either side of the frame\, making contact in the center\, then passing through. They then return from the opposite side\, pass through\, and move to their original place. The animation loops.
URL:https://disabilitystudies.nyu.edu/event/alt-text-as-poetry-with-bojana-coklyat-and-finnegan-shannon/
ATTACH;FMTTYPE=image/gif:https://disabilitystudies.nyu.edu/wp-content/uploads/2023/11/unnamed.gif
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20231109T180000
DTEND;TZID=America/New_York:20231109T200000
DTSTAMP:20241120T015038Z
CREATED:20231031T165132Z
LAST-MODIFIED:20241120T015038Z
UID:3003-1699552800-1699560000@disabilitystudies.nyu.edu
SUMMARY:Late Shift x NYU Center for Disability Studies with Jerron Herman: Rest
DESCRIPTION:Join us on the evening of November 9 for the newest Late Shift program highlighting LAX\, a site-responsive\, interactive performance and score choreographed by interdisciplinary artist and dancer Jerron Herman. Designed to be experienced from anywhere within Frank Lloyd Wright’s rotunda\, Herman’s score will guide visitors’ energy throughout the building\, creating moments that honor our bodies’ needs for comfort\, play\, and rest. \nThis immersive program\, presented in collaboration with the Center for Disability Studies (CDS) at New York University\, will also feature a host of additional activations throughout the museum. Herman’s score will ebb and flow\, providing opportunities for visitors to engage with performance textiles created by artist Sugandha Gupta and attend gallery talks with vibrant verbal descriptions of artworks and lively conversation led by educators Georgina Kleege and Bojana Coklyat. Accessibility information can be found below. \nSupport for this program was provided by a grant from Carnegie Corporation of New York. \nAccessibility Information\nThe evening is planned with a multisensory approach and centers audiences and artists with disabilities\, in a supportive and welcoming environment including the following: \n\nAmerican Sign Language interpretation\nCART (real-time captioning)\nAssistive listening devices\nSocial narrative (visual instructions and overview of the program)\nDedicated chill-out areas (relaxed spaces with less sensory input)\nNoise-reducing headphones and earplugs\n\nRegistered participants will receive a confirmation email and detailed program information\, including a social narrative. \nVisit our accessibility webpage for more information on access at the museum. If you need any additional accommodations for this program\, you can reach the Accessibility Team at access@guggenheim.org or by calling 212 360 4355. \nAbout Jerron Herman\nJerron Herman is a dancer and writer who is compelled to create images of freedom. The nuanced pieces Herman exhibits uplift an early childhood desire to create joyful worlds in which others inhabit. He has premiered works at Danspace Project\, Performance Space New York\, and the Whitney Museum. Herman’s VITRUVIAN premiered at the Abrons Arts Center in New York and toured to the Baltimore Museum of Art\, ODC in San Francisco\, and was released digitally for Lincoln Center. His latest work\, Lax\, was commissioned by Stephen Petronio Company in 2023 and premiered at Battery Dance Festival\, before being featured at the Park Avenue Armory and the rooftop of the Metropolitan Museum of Art. \nHis art has led him to a ceramic residency at the famed EKWC in the Netherlands and exhibitions at 1969 Gallery in New York\, LOMAA in Ontario\, and ICA Philadelphia. Herman is also the choreographer and codirector of Sensorium Ex\, an opera set to debut in 2025. Herman is a part of INTERIM\, a boutique management consortium centering joy for disabled artists. Other accolades include a 2023–24 Fellowship at NYU’s Center for Ballet and the Arts\, Grants to Artists Award from the Foundation for Contemporary Arts in 2021\, and a Jerome Hill Artist Fellowship in dance (2021–22) from the Jerome Foundation\, the 2021 PETRONIO Award and residency\, and a 2020 Disability Futures Fellowship by the Ford Foundation and the Andrew W. Mellon Foundation. \nAbout the NYU Center for Disability Studies\nThe NYU Center for Disability Studies promotes disability scholarship\, artistry\, and activism at NYU and beyond through research and publishing\, a disability studies minor\, a public event series\, and collaborative programming with arts and other organizations internationally. \nAbout the Late Shift Series\nAre you interested in art\, architecture\, and sustainability? Do you want to experience a different kind of night at the museum? Grab your friends and join us for our after-hours Late Shift series\, where you will have the opportunity to engage with the Guggenheim in fresh ways and connect with like-minded visitors! Plus\, you will enjoy exclusive after-hours access to the museum’s iconic architecture and exhibitions on view\, and chat over drinks and snacks from Café Rebay.
URL:https://disabilitystudies.nyu.edu/event/late-shift-x-nyu-center-for-disability-studies-with-jerron-herman-rest/
LOCATION:Solomon R. Guggenheim Museum\, 1071 5th Ave\, New York\, NY\, 10128\, United States
ATTACH;FMTTYPE=image/jpeg:https://disabilitystudies.nyu.edu/wp-content/uploads/2023/10/gen-event-late-shift-jerron-herman-rest.jpeg
END:VEVENT
END:VCALENDAR